The house of the late Charles Schulz, creator of the iconic Peanuts comic strip, was completely destroyed on Monday when the fires arrived in the middle of the night.
Last year's Peanuts Movie did the near-impossible and pulled off a successful translation of Charles M. Schulz's iconic style and characters from their native 2-D to CGI. That technical breakthrough was the film's real marquee attraction; the story was just a greatest hits. Structured over an entire year, you got the Red Baron, the Little Red-Haired Girl, the whole deal. Despite the deep melancholy and ennui at the strip's heart, Peanuts is a comic ultimately built on comfort and refuge.
Knowing that, it's easy to see why the new Boomerang/Cartoon Network series, Peanuts, went the route it did. Rather than attempt to modernize or emulate newer shows like Steven Universe or Adventure Time, Peanuts opts for a familiarity that perfectly evokes the feel of the comic strip.