Deadpool

Behold, the gag reel. Long a staple of the home video market, the gag reel was perhaps at its most popular in the 1990s, when Jackie Chan released a string of movies that included painful outtakes during the closing credits. When studios realized that they could package an entire DVD release around the special feature menu, the gag reel became a mainstay of any comedy releases over the last 15 years. And because Deadpool was one big improvised joke with enough physical humor to make Mel Brooks blush, it was a natural fit for the film’s Blu-ray release as well.

With the success of both Deadpool and Logan, 20th Century Fox has found a way to effectively differentiate itself from the other members of the superhero studio trifecta. Disney releases superhero films with broad appeal and a bright aesthetic; 20th Century Fox aims for more mature themes and isn’t afraid to incorporate both violence and profanity into its projects; Warner Bros…. well, they’re working on this, and when they figure out, it’s gonna be yuuuge. You’ll see.

In the superhero movie business, ratings have until now seemed like a pretty simple business. The way to get the biggest audience while also keeping in as much fantasy violence and perilous situations to stay true to the comics was to shoot for the middle ground, a nice, nonthreatening PG-13. No full-on nudity, no blood splatter, and relegate your one allocated f-word to Wolverine. But the times, they are a-changin’, and superhero movies are changing right along with them, starting with shooting for the more mature, edgier R-rating. As it turns out, this is exactly the direction audiences want them to go.

Few superhero movies captured the imagination of audiences last year quite like Deadpool. While Marvel releases were praised for their sleek storytelling and progressive characters, Deadpool went the other route, earning hundreds of millions of dollars on the strength of its raunchy sex scenes and immature sight gags. It was choppy, it was unpolished, and, occasionally, it was noticeably cheap around the edges. In other words, it was everything that Marvel movies are not.

The people have been making some pretty questionable choices for themselves as of late. Some big politics thing is happening tomorrow, there’s that, and last night marked the 43rd Annual People‘s Choice Awards, the populist awards program that does away with the snooty prestige of the Oscars. The evening delivered some rather eyebrow-raising results in its recognition of the most widely beloved entertainers of the year, and though none quite confounded on a Trumpian level, the night was full of what we’ll diplomatically call “surprises.”

It’s been a topsy-turvy week for awards prognosticators, relative even to the usual topsy-turviness of an industry based entirely on guesswork and speculation. Deadpool frightened and confused Oscar oddsmakers when it unexpectedly snatched up a Best Picture nomination from the Producers Guild Awards program on Tuesday, and then officially rejiggered everyone’s slate of predictions when director Tim Miller earned a nomination from the Directors Guild of America. What had been all but forgotten as a superhero oddball is staging a late-phase charge among the groups of professionals that vote for Oscar nominees — nothing is out of the question.

The Directors Guild of America has officially unveiled its 2016 film nominees, a list that boasts very few — if any — surprises. Indeed, the DGA has added its voice(s) to the growing awards season choir, singing the praises of La La Land, Moonlight and Manchester by the Sea — all but guaranteeing their Oscar nominations for Best Picture. The DGA has also revealed the nominees for First-Time Feature Filmmaker, which include Dan Trachtenberg for 10 Cloverfield Lane and (brace yourselves for this totally un-shocking shocker) Tim Miller for Deadpool.

La La Land, duh. Manchester By the Sea, right. Moonlight, you better. Deadpool – excuse me? It’s true, Ryan Reynolds’ superhero movie has just been named one of the 10 best films of 2016 by the Producers Guild of America (via Variety). Many of us thought its Golden Globes nominations were just a result of the HFPA’s always wacky taste, but it seems the Deadpool virus has spread across the nation to multiple voting bodies, from the Writer’s Guild of America to the Producers.

When the hullabaloo about Ryan Reynolds’ Deadpool possibly having a cameo in the next Wolverine movie erupted last week, everyone involved in Logan was quick to put those rumors to rest. But that might not mean we’ll never see the two X-Men in a movie together. After everything had died down, Reynolds had a chance to reflect and mentioned that he would be totally down to team up with the Canadian superhero, but there’s one big obstacle to get past: for all intents and purposes, Logan will be Hugh Jackman’s last run as Wolverine.

Deadpool. Mercenary. Superhero. Weapon X survivor. And Writer’s Guild of America nominee for Best Adapted freaking Screenplay.

When is a superhero movie like Game of Thrones? When it’s the most pirated movie of the year, of course. On a new list of all the movies downloaded from popular torrenting site BitTorrent, the merc with a mouth tops the chart over Batman v. Superman, Captain America: Civil War, and The Force Awakens.

Ryan Reynolds’ wish for a proper Deadpool and Wolverine crossover movie may never come true, but the actor has apparently achieved something pretty close with a small cameo in Logan. According to a new report, the actor recently filmed a scene for Hugh Jackman’s final bow as Wolverine, though it’s unclear if we’ll actually see the two characters share the screen when Logan hits theaters next spring.